Film Recommendation: Madame Mallory und der Duft von Curry (One Hundred Foot Journey)

Info Source: Leseprobe & Rezepte zum Film vom Piper

The Hundred Foot Journey by Richard C. Morais reads in German, "Madame Mallory und Der Duft von Curry." When I saw the preview of the film in July this year, I instantly noted it would be our next "Kinotag" film as soon as it is showing in our city. But August as usual is a holiday month and we were out of the nest. It would only be this early September that we were able to watch it, not on a film day when films cost half the usual price but it was worth our time and money. 

I remember the film starting with a handsome Indian boy holding a sea urchin in his hands, and instantly this scene brought me back to childhood memories when holidays were spent in the home of our grandparents who lived not so far from the shore of South China Sea. Excursions to the nearby shore gave us chance to catch sea urchins, open and taste them but I remember the little me not liking the raw taste of it. 

It is a feel-good film. I love the images, can smell the spices and imagine how delicious the served food would be. The setting is also a wonderful village somewhere in France and not to forget the leading lady is no other than Queen Helen Mirren. 

After watching the film, we were cravings for our samoosas and alou tikka but it was late in the evening to go to our favorite Indian resto in the city. So reaching home, I opened the freezer to defroze the samoosas I purchased a week before in an Indian shop. I thought they taste more delicious after watching the beautiful film on food culture, on family relationship, on clash of cultures and specially on spices. Go see it and feel good.

Samoosas eaten with tamarind sauce

 
The Film: Madame Mallory und Der Duft von Curry.
Starring: Helen Mirren, Om Puri, Manish Dayal, Charlotte Le Bon
Regie: Lasse Hallström

Der Film - Hannah Arendt

A film on the life of the philosopher and political theorist, Hannah Arendt who reported for The New Yorker in 1961 on the war crimes of the Nazi Adolf Eichmann. Regie: Margarethe von Trotta

Hannah Arendt (1906-1975)

(Photo: Stuttgarter-Zeitung.de)

"There are no dangerous thoughts; thinking itself is dangerous."

For a review of the film, please read below. Source: www.imdb.com

                                                                                                                                                                   A Real Gem!

18 September 2012 | by Ray Lahey (Canada)

Few movies based on historical figures manage to combine a good sense of character with a first-rate story. Hannah Arendt is an exception. It is directed by Margarethe von Trotta, who had focused on such diverse (and strong) women of history as the nun and mystic Hildegard von Bingen and the leftist revolutionary Rosa Luxemburg. Her latest film is the story of one key episode in the life of Hannah Arendt, the German-American philosopher and political theorist. But Hannah Arendt transcends the bounds of "feminist" filmmaking. It is a work that puts before the viewer key questions about the nature of evil, about acceptance of authority, and about personal responsibility. At the same time it is a fine piece of storytelling.

Arendt was a German Jew who had studied under the noted philosopher Martin Heidegger, and who had a romantic relationship with him that soured when the Nazis came to power and Heidegger publicly supported them. She soon left Germany for France but in 1940 was imprisoned by the Vichy regime in the detention camp in Gurs. Escaping after a few weeks imprisonment, she fled with her husband to the U.S. Throughout and after the war she was active in Jewish causes, including the Zionist movement. In the 1950s she began a career of writing and teaching, which included appointments at such universities as Princeton, Yale and the University of Chicago. She became noted for two popular books, The Origins of Totalitarianism and The Human Condition.

The film deals with one short period in her life, Arendt's reporting on the 1961 Adolf Eichmann trial in Jerusalem for the New Yorker magazine, coverage she later turned into a book. In here account she spoke of "the banality of evil," evil done without thinking, because people were "following orders." Arendt's suggestion was that Eichmann was evil not so much because he was a monster, but because he was a mindless bureaucrat. Although she did not disagree with the guilty verdict or Eichmann's hanging, she was critical of the conduct of the trial. Even more controversial was her submission that some Jewish leaders contributed to the magnitude of the Holocaust by their complicity with the authorities. While she recognized the futility of open rebellion, she suggested that less cooperation would at least have saved more lives. Such suggestions, especially coming from a prominent Jew, provoked a firestorm of criticism, and threatened both Arendt's career and lifelong friendships. The movie becomes not just about a single life, but about freedom of expression - the sometimes harsh clash between ideas and fixed opinions - and the great personal costs this can involve.

Still, a movie that focuses so much on one individual requires a superb piece of acting. Director von Trotta gets this from Barbara Sukowa, who played both Hildegard and Rosa Luxemburg in her earlier films. Sukowa brings to the screen not only a supremely intelligent woman, but a very principled and determined one. At the same time she portrays a woman who can be tender and compassionate, and understanding even of her detractors. To blend such widely divergent qualities is no easy task, but Sukowa succeeds in anchoring them securely in the character she plays. Axel Milberg as Heinrich Blücher, Arendt's husband, more reserved, but supportive and protective, is equally credible. Another solid performance comes from Janet McTeer as the political activist, author, and Hannah's steadfast friend, Mary McCarthy. Included also among her inner circle was her secretary, Lotte, played very sympathetically and competently by Julia Jentsch. Two longtime Jewish friends, one in New York, Hans Jonas, and another in Jerusalem (also her former teacher), Kurt Blumenfeld, are very well represented by Ulrich Noethen and Michael Degen. And a very unrepentant and unapologetic Martin Heidegger is played by Klaus Pohl.

In addition to good acting a film that deals with the realm of ideas also requires a finely tuned screenplay and talented direction so that it does not just show pictures of "talking heads." Director von Trotta cooperated with Pam Katz on the script, and what they produced is obviously a labor of love. The situation of ideas against the background of such horrific concrete acts as genocide, and in particular against the showpiece trial of Eichmann, brings them into contact with the very real world. That reality is heightened by the decision not to dramatize Eichmann himself, but to show the genuine article as he appears in the TV footage of the trial. There is such genuine horror there, and yet such obvious banality, as to give Arendt's musings real weight.

In the end the film obliges the viewer to confront the questions Arendt is trying to raise. Are the roots of evil obvious or can they be far more subtle? Where does responsibility begin, and who in a society must take responsibility for the acts of the whole body? The film does not preach, but it certainly raises vital questions. A real gem! Hannah Arendt premiered at the Toronto International Film Festival on September 11, 2012. The movie will go into general release on January 17, 2013.
***

BIUTIFUL

Biutiful is a love story between a father and his children. This is the journey of Uxbal, a conflicted man who struggles to reconcile fatherhood, love, spirituality, crime, guilt and mortality amidst the dangerous underworld of modern Barcelona. His livelihood is earned out of bounds, his sacrifices for his children know no bounds. Like life itself, this is a circular tale that ends where it begins. As fate encircles him and thresholds are crossed, a dim, redemptive road brightens, illuminating the inheritances bestowed from father to child, and the paternal guiding hand that navigates life’s corridors, whether bright, bad – or biutiful
(Source:Biutiful)


A must see film!

Film: Couscous mit Fisch

"La graine et le mulet" - the original title of this French film
by Abdellatif Kechiche.
At the port of Sète, Mr. Slimane, a tired 60-year-old, drags himself toward a shipyard job that has become more and more difficult to cope with as the years go by. He is a divorced father who forces himself to stay close to his family despite the schisms and tensions that are easily sparked off and that financial difficulties make even more intense. He is going through a delicate period in his life and, recently, everything seems to make him feel useless: a failure. He wants to escape from it all and set up his own restaurant. However, it appears to be an unreachable dream given his meager, irregular salary that is not anywhere near enough to supply what he needs to realize his ambition. But he can still dream and talk about it with his family in particular. A family that gradually gives its support to this project, which comes to symbolize the means to a better life. Thanks to its ingeniousness and hard work, this dream soon becomes a reality...or almost....
Written by Venice Film Festival

Film for the day, Robin Hood

Robin Hood
engl. Originalversion
12 J.
täglich um 16:45 Uhr + 21:15 Uhr
USA 2010 - Action/Drama - 140 Min. - D.: Ridley Scott - C.: Russell Crowe, Cate Blanchett, Mark Strong

In 13th century England, Robin and his band of marauders confront corruption in a local village and lead an uprising against the crown that will forever alter the balance of world power. And whether thief or hero, one man from humble beginnings will become an eternal symbol of freedom for his people. Robin Hood chronicles the life of an expert archer, previously interested only in self-preservation, from his service in King Richards army against the French. Upon Richards death, Robin travels to Nottingham, a town suffering from the corruption of a despotic sheriff and crippling taxation, where he falls for the spirited widow Lady Marian, a woman skeptical of the identity and motivations of this crusader from the forest. Hoping to earn the hand of Maid Marian and salvage the village, Robin assembles a gang whose lethal mercenary skills are matched only by its appetite for life. Together, they begin preying on the indulgent upper class to correct injustices under the sheriff.
Taken from Metropolis-Koeln

Monday Night: Film Night "Australia"

Grey and rainy days followed the beautiful snowy weather
in our village and instead of our usual Thursday film
day (tickets are cheaper on Thursday), we went to Cologne
to see the original film version of Australia, an epic
film which lasts for about 170 minutes without
intermission. I could not recall if we had seen
a preview of the film but I remembered posters where
hanging in many German cinemas announcing film showing
starting on Christmas day on 2008.
I was imagining the film to be a story of the Aborigines,
British settlers and how thousand of British prisoners were
banished to this island. None of the latter would be
mentioned in this epic film though which enticed me
to "google" about the history of Australia after the film and
not just associate that beautiful country with penal colonies,
drinking men in the outback, Aborigines and Koalas.
About the penal colonies in Australia...here is a short
historical background taken from wikepedia:

During the late 18th and 19th centuries, large numbers of convicts were transported to the various Australian penal colonies by the British government.[1] One of the primary reasons for the British settlement of Australia was the establishment of a penal colony to alleviate pressure on their overburdened correctional facilities. Over the 80 years more than 165,000 convicts were transported to Australia.[2] The last convicts to be transported to Australia arrived in Western Australia in 1868.

I enjoyed the film, the epic visuals a term I got from
another review and the glimpses on the beliefs and rites
of the Aborigines. Magical moments inside this small cinema
looking at the huge screen feeling yourself to be right in
the film and in some scenes...ehem wishing yourself to be
in the place of Nicole Kidman as Sarah being trained by

a drover played by Hugh Jackmann. So what is a drover?
A drover in Australia is a person, typically an experienced stockman, who moves livestock, usually sheep or cattle, "on the hoof" over long distances. Reasons for droving may include: delivering animals to a new owner's property, taking animals to market, or moving animals during a drought in search of better feed and/or water. Moving a small mob of quiet cattle is relatively easy, but moving several hundred head of wild station cattle over long distances is a completely different matter. (taken from wikepedia)

(photo source: www.squidoo.com)
As I was saying before, the viewers were given glimpses
into the beliefs of the Aborigines and I wanted to know more on this word walkabout
and I found one short info on this:

When Aboriginal Australians Go on Walkabout, they undertake a spiritual journey to a Belonging Place to renew their relationship with their Dreaming and the Landscape. The land is their life, their mother, their way, their nourishment, and their spiritual connectedness.
During the Dreamtime the Ancestral Spirits gave form to the land and established community relationships. Afterwards, in order to enliven the landscape with their powers, these Ancestral Spirits changed from humans into animals, stars, hills, trees, and other aspects of the landscape, empowering the Natural World with their numinous presence in forms that are most commonly referred to nowadays as Devas, Nature Spirits, and Elementals.
For the Aboriginals of Australia, their spirituality and the Sacred is deeply rooted in the Landscape and in their relationship to the environment which sustains them. There are many different Aboriginal Australia tribes who have their own Dreamtime folklore, customs, languages, and totems; but, there are also many commonalities they share such as: Animal Totems, strong kinship, and family structures.
Dreaming Tracks or Songlines distinguish all features of the land created by their Spirit Ancestors as they Journeyed and travelled across it. The story of the Aboriginals is in the land; the law is imprinted upon their Sacred Spaces. These Songlines are the footprints of their Spirit Ancestors as they sang Beingness into the landscape, setting the law.
(More on it, please see:
http://www.blessingscornucopia.com/Shamanism_Shaman_Shamanic_Journey_Healing_Aboriginal_Walkabout_Journeying.htm)


See the film and learn more about this beautiful
country later.